Weekly film report
How did my film do last week, country by country?
Tickets, screenings, occupancy and revenue for the week, against the week before, for every country, as a page and a PDF that arrives every Monday.
Reports
Every report in SEATmio
21 reports, each answering one question you ask every week. All of them open for any film, country and dates in your plan, save as PDF and can come to your inbox every Monday.
Save as PDF in one click
Send me every Monday, report by report
Share by link with partners, in their language
Every week
What's new around the film
What happened around my film?
One feed of everything that moved: premieres, records, programme changes, presales, trailers, press, searches, ads, tie-ins and streaming dates.
The film worldwide
Film by country
How is the film selling in each country, and who distributes it there?
Every territory side by side: distributor, first screening, tickets, change, occupancy. For the producer and the sales agent.
For cinemas
My cinema against its competition
How does my cinema compare with the cinemas within a few kilometres?
The cinemas within 5, 10 and 25 km, the films they sell better, and a comparison by part of the day, weekday and format.
My cinema's programme
Which films in my cinema fill seats better than their number of screenings suggests?
Every film of the cinema by occupancy and by screenings, with the ones that deserve more screens.
Negotiating with cinemas
Programming quality
Does my film get good times and screens, or the leftovers?
Prime-time share, room size and occupancy against the average film in the same cinemas, and the cinemas where the film deserves more screenings.
Who took my screenings
Which films took the screenings my film lost?
Every slot lost by cinema, room and hour, the film that took it and both films' occupancy, for the last or the next seven days.
When chains set their programme
When does each chain set next week's programme?
Each chain's usual day and hour, and whether next week is already published, so you call before the slots are taken.
Risk of losing screens
Where is my film close to being dropped?
The cinemas where the film's numbers put it next in line to lose screenings, so you can act before the programme is set.
Cinemas without my film
Which cinemas that play similar films are not showing mine?
Cinemas whose audience buys films like yours but which have not booked it yet: the next calls for your booking team.
How chains treat distributors
Does a chain give my films the same start as other distributors' films?
How each chain programmes your films against other distributors' films: the start they get, the times and the rooms.
Cinema reactions
Are cinemas adding screenings, pulling them, or moving my film to bigger rooms?
Screenings added at short notice, pulled before the start and moved between rooms, summed up in one exhibitor confidence score.
Audiences
Language versions
Dubbed or subtitled: which version sells better, and where?
Each version's share of screenings against its share of tickets and its occupancy, per country and per chain.
When people buy
How many days ahead do audiences buy tickets for my film?
How far ahead tickets are bought, day by day before each screening, so you time the campaign to the audience.
Campaign
What moved sales
Which days and events made ticket sales rise or fall?
The biggest jumps in sales and everything that happened just before: trailers, press, interest, more screenings, holidays, events and weather.
Where to boost the campaign
Which cities sell less than they should for a film like mine?
Cities where the film sells below what films like it sell there: where extra campaign money works hardest.
Early markets
What do the countries that opened first say about the next ones?
How the film performed where it opened first, as the guide for the countries still to come.
Promotion and partners
Which brands, TV spots and products promote the film?
Brand tie-ins, TV spots and merchandise around the film, country by country, beside its sales.
Partners
Report for the producer
How do I share results with producers and partners?
A clear summary of the film shared by link: it opens without an account, in the language you choose, with your company logo, only for the period and countries you pick.
Tour and special screenings
How did premieres, tours with the team and special screenings sell?
Every premiere, tour stop and special screening of the film, with its tickets and occupancy.
Planning
Free screens in week X
Which week leaves the most screens for a release?
The screens likely to be free week by week, for the release dates you are deciding on.
See it with your own films and countries
On a short call we show live data for the countries, chains or titles you follow, and set up a trial scoped to what you need.