SEATmio follows 31,552 theaters in 159 countries, reads their public seat maps, and turns them into tickets sold, occupancy, and presales - per screening, film, theater, and chain. Independently, the same day, without asking anyone for a report.
Counted screening by screening, seat by seat.
Live from our database, refreshed every 10 minutes.
Tickets sold in the last 7 days across our coverage, live from the database.
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10To sell a ticket online, every theater shows the room: which seats are free and which are gone. That map is public, for every screening, from the day presales open.
From presale opening until a few minutes before the lights go down, so we see how a film sells day by day, not just where it ended up.
Tickets, occupancy, presales, and share, rolled up from the screening to the theater, the film, the chain, and the country. The same method everywhere, so countries compare.
From the first day of presales to the next theater booking.
Follow presales from the day they open, country by country, and bring the evidence to your next theater negotiation.
One film, every signal, one place: ticket sales read seat by seat, the programs theaters publish, the press, TV airings, unlicensed copies online, and forecasts built on all of it. Pick an area to see how it works.
Every film on one card, presales day by day, today's sales minute by minute, and the films opening next.
Expected tickets in a film's first week, country by country, as a range with the reasons behind it, from about two weeks before the premiere.
Prime-time share, room sizes, who took your screenings, when chains set next week's program, and how theaters react.
What moved sales, interest per country, trailers and their views, press coverage with its tone, ad campaigns, and brand partners.
Everything the press writes about your films, every day: mentions, reviews and their tone, share of voice, top outlets, and a media email every morning.
The release calendar with holidays and wide releases, a planner to compare candidate weeks, free screens, and streaming windows.
Every theater around yours, measured the same way: what they sell, what they sell better, and what they show that you do not.
Measured admissions per screening, cut the way a media plan is: by chain, theater, city, film, genre, part of the day, and format.
Daily tickets of listed theater companies, quarter to date, next to their share price, and estimated revenue per country.
Each report answers one question you ask every week: programming quality, who took my screenings, what moved sales, and more. As a PDF, or in your inbox every Monday.
What lands in your inbox: the press every morning, the weekly report with a PDF every Monday, new theater programs, and alerts about competitors.
Every table to CSV, every view to PDF, and an API that delivers the same figures to your own systems and BI tools.
7,521 TV channels in 186 countries: where and when your films aired, how many runs per channel and country, the days ahead, and the history. Check that every broadcast stayed within your license.
Where your films turn up online without a license: websites with a player or a download link, torrents, Usenet, and public Telegram channels, every link with the contacts to have it taken down.
How a film's products sell online: what launches in official stores and when, prices, availability, sell-outs and, where a store shows its stock, units sold.
Scoped to your countries, chains, and titles, for your whole team, in eight languages.
Program cuts, a chain publishing next week, a film under-screened, a sharp drop, a trailer passing a million views.
The weekly film report as a PDF, and any report you subscribe to, in your inbox.
The day's press about your films, with its tone, every morning.
A report link for producers and funds, with your logo, in their language, until the date you set.
Every table to CSV, every view to PDF, and an API for your own tools.
Official box office arrives late, summed per film and per weekend, and in many countries not at all. SEATmio starts from the individual seat.
Every figure rolls up from a single show in a single room, so you can go from the country total down to Saturday 19:30 in one theater.
We read what every theater already publishes. No reporting agreements, no panel of volunteers, no waiting for anyone's figures.
We know the room's capacity, so we know how full it was. That is what decides the number of shows.
The curve before release is where decisions are still possible. Totals after the weekend are history.
Brazil, Germany, and South Korea measured the same way, so a title can be followed across borders.
Trailers, press and ad campaigns, holidays and the weather, even pirated copies of the film online: all on the same timeline as the tickets, so you see what moved sales and when.
See where and when TV channels showed your films, how many runs on each channel and in each country, what is announced for the coming days, and the whole history. Check that every broadcast stayed within your license.
See films on TVThe countries where we read seat sales and TV airings. Hover over a country to see how many of its theaters and TV channels we monitor.
Your chain or theater is not on the list? Tell us in the form below. New chains are added every week, and a chain with a customer waiting goes first.
Pricing reflects the size of each theater market and the coverage you need.
Choose a market to get pricing tailored to its theater landscape.
We'll confirm your coverage and price on a short call.
A tailored proposal for several countries, regional and worldwide access, and theater groups.
Tell us where you operate. We'll build the right offer.
